The 90’s, episode 215: The Video Revolution
Episode 215 of the award winning series, The 90’s. This episode is called “THE VIDEO REVOLUTION” and features the following segments:
Episode 215 of the award winning series, The 90’s. This episode is called “THE VIDEO REVOLUTION” and features the following segments:
Documentary about the San Francisco County Jails, which house people convicted of minor crimes such as theft and prostitution. The tape mainly argues (through interviews) that most of the inmates are in jail because they are poor and that the prison system only exacerbates the problem.
A 1999 meeting of the Nelson Algren Committee, an organization dedicated to the preservation and proliferation of Algren’s memory and works in the literary world. A slew of celebrated Chicago media and political figures, some who were also friends of Algren’s (Studs Terkel, Leon Despres, and Art Shay), attend the meeting and say a few words about the importance of Algren’s work.
Part of the Global Perspectives on War and Peace Collection. Interviews with several different residents of Tel-Aviv from 1990 to 1991. The lives of poor Arab workers are contrasted to the upper class of the city, who live a very European lifestyle.
Episode 405 of the award winning series, The 90’s. This episode is called “IT’S A MALL, MALL WORLD,” and features the following segments:
A look at the life and career of Chicago mayor Richard J. Daley, produced for the 10-year anniversary of his death. The show is made up of interviews with Daley’s family, friends, colleagues, and critics, as well as much archival footage.
Studs Terkel interviews Richard Hunt, Vin Rosenthal, Theodore Sherrod, and Sterling “Red” Quinlan.
Raw footage for the 1976 documentary “Making It In Hollywood,” which follows several actors as they attempt to break into the movie business and some who are already established. Interview with Tab Hunter, former matinee idol, in the Chateau Marmont hotel. Hunter talks about the impact of fame and stardom on people’s personalities. Frank Cavestani explains the mission of the project–to de-glamorize Hollywood and to show the reality of a Hollywood wannabe.