![[Politics of Intimacy: Mona and Theresa 2]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2021/08/1246632834-8f09e03eb301aad91b9bb4f0a6b1eff0329f7134844e8ee4d01f6fa39431a81b-d_295x166-228x160.png)
This is raw footage shot for Julie Gustafson’s documentary, “The Politics of Intimacy.” In this seminal feminist video, ten women address the camera and seemingly each other in a wide-ranging exploration of such previously taboo subjects as women’s sexuality, power, and fears about intimacy. This interview is with Mona Gustafson & Theresa Joyce. Originally shot in 1/2″ B & W video.
![[Politics of Intimacy: Kathy 2]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2021/08/1244456806-0a53ce217c859792363beb5880c534553bffb7ef1944b35f71150ec4345ab8f8-d_295x166-228x160.png)
This is raw footage shot for Julie Gustafson’s documentary, “The Politics of Intimacy.” In this seminal feminist video, ten women address the camera and seemingly each other in a wide-ranging exploration of such previously taboo subjects as women’s sexuality, power, and fears about intimacy. This interview is with Kathy Mahr. Originally shot in 1/2″ B & W video.
This is raw footage shot for Julie Gustafson’s documentary, “The Politics of Intimacy.” In this seminal feminist video, ten women address the camera and seemingly each other in a wide-ranging exploration of such previously taboo subjects as women’s sexuality, power, and fears about intimacy. This interview is with Vicki Yerman & Julie Gustafson. Originally shot in 1/2″ B & W video.
Documents the activities of a Chicago artist-run, non-profit organization fostering experimental hand papermaking and artists’ collaborations. Shows the process of making paper by hand. Includes interviews with co-directors Marilyn Sward, Linda Sorkin-Eisenberg and other artists. The videowas made in three versions: English, Spanish and American Sign Language. (note: Paper Press served as the proto-type for the Columbia College Chicago Center for Book &
Paper Arts, established in 1993 with Marilyn Sward as its Director)
Four women, who were victims of physical and emotional abuse, find support in a self-help group. This video, edited from material recorded at one of their weekly meetings, gives insight into the nature of domestic abuse and the problems women face in overcoming that situation. The self-help project was originated by Barbara Stewart, Chicago Department of Human Services Victim/Witness Advocacy Program, and Marcia Alpert, Loop Center YWCA Women’s Services Staff.
A brief portrait of Joann Elam who delivers the mail in Chicago’s Logan Square neighborhood. She talks about being a woman in a traditionally male job. She comments on responses from job supervisors and how she derives personal benefit from this kind of employment. Produced for the Chicago Video Makers’ Coalition program, SLICES OF CHICAGO, a show for broadcast consisting of small format “alternative” videos on subjects not normally seen on broadcast television.
Jobs in construction carpentry and cabinet making, and the good pay derived them, traditionally have been the domain of men. This video gives a first-hand look at carpentry apprenticeship as experienced by some of the first women to enter these trades in the 1970’s. The camera follows women carpenters at work on job sites including a high-rise under construction, a carpentry shop at a sewer project and in a production cabinet shop. They talk about the training they receive, the working conditions, the kinds of responses they get from male co-workers and the benefits derived from their support-group, Chicago Women Carpenters. Produced by Audrey Denecke for the Women’s Pre-Apprenticeship Project, Midwest Women’s Center, Chicago. Certificate of Merit, Chicago International Film Festival, 1981.
Maria Almonte immigrated from Mexico to Chicago’s Pilsen–Little Village neighborhood in 1950. An
artist/teacher, she supported her family from her flower shop business and became a leader in the
educational and cultural life of the community. She taught traditional arts, crafts, and practical skills
like dress-making in settlement houses, in community workshops and in her own studio. At the age of
70 she continued to teach and act on her belief that artistic expression is a powerful tool for
developing cultural identity and individual self-esteem. The video shows Ms. Almonte in community-
sponsored workshops teaching neighborhood residents how to make traditional cut-paper ornaments
and how to design clothing. In the hall of a local church her students model their creations and receive
recognition. Produced, directed and edited by Eleanor Boyer and Karen Peugh. Partially funded by
the Illinois Arts Council and the Center for New Television with a Joyce Foundation grant.
Gold Can Award, Chicago Access Corporation, 1986; Certificate of Merit, Chicago International
Film Festival, 1984