[Chicago Crossings: Bridges and Boundaries, reel 42]
At the opening of the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings,” artist Kerry James Marshall talks about his piece for the show.
At the opening of the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings,” artist Kerry James Marshall talks about his piece for the show.
A Kartemquin Films crew attending the Spertus Museum of Judaica’s 1994 opening of “Bridges and Boundaries: Chicago Crossings” interviews artists and patrons alike, focusing in this tape on the work of Othello Anderson, Gerda Meyer-Bernstein, and Kerry James Marshall.
A Kartemquin Films crew attends the opening of the Spertus Museum of Judaica’s exhibition, “Bridges and Boundaries: Chicago Crossings” on May 19th, 1994. The tape includes footage of the pieces, conversations between artists and patrons, and an interview with Dr. Lester Skaggs of the Manhattan Project.
A Kartemquin Films crew attends the opening of the Spertus Museum of Judaica’s exhibition, “Bridges and Boundaries: Chicago Crossings” on May 19th, 1994.
Artist Fan Warren is seen in studio with her piece for the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings.”
Prior to the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings,” participating artist Fan Warren talks about her artistic influences, Black and Jewish relations, and her qualms with the Spertus show.
Othello Anderson—co-curator of the Spertus Museum of Judaica’s 1994 “Bridges and Boundaries: Chicago Crossings” exhibition—talks to Kartemquin Films about a myriad of topics; including why he decided to participate in the show, his relationship with WWII physicist Dr. Lester Skaggs, and Black–Jewish relations.
Co-curators Claire Wolf Krantz and Othello Anderson along with artist Hamza Walker plan the layout of their upcoming exhibition at the Spertus Museum of Judaica, “Bridges and Boundaries: Chicago Crossings.”