![[Chicago Crossings: Bridges and Boundaries, reel 81]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652418230_640-228x160.jpg)
Kartemquin Films interviews Morrie Fred, Director of the Spertus Museum of Judaica, about their 1992 exhibition Chicago Crossings: Bridges and Boundaries. The interview takes place after the exhibition has been finished and on display in the museum, and Fred talks about the failed attempt to involve DuSable Museum of African American History and why he thinks the partnership never happened and its effects on the resulting exhibition.
![[Chicago Crossings: Bridges and Boundaries, reel 79]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652422320_640-228x160.jpg)
B-roll footage of artist Othello Anderson’s piece for the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings.”
![[Chicago Crossings: Bridges and Boundaries, reel 42]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652423383_640-228x160.jpg)
At the opening of the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings,” artist Kerry James Marshall talks about his piece for the show.
![[Chicago Crossings: Bridges and Boundaries, reel 41]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652524091_640-228x160.jpg)
A Kartemquin Films crew attending the Spertus Museum of Judaica’s 1994 opening of “Bridges and Boundaries: Chicago Crossings” interviews artists and patrons alike, focusing in this tape on the work of Othello Anderson, Gerda Meyer-Bernstein, and Kerry James Marshall.
![[Chicago Crossings: Bridges and Boundaries, reel 40]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652512256_640-228x160.jpg)
A Kartemquin Films crew attends the opening of the Spertus Museum of Judaica’s exhibition, “Bridges and Boundaries: Chicago Crossings” on May 19th, 1994. The tape includes footage of the pieces, conversations between artists and patrons, and an interview with Dr. Lester Skaggs of the Manhattan Project.
![[Chicago Crossings: Bridges and Boundaries, reel 39]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652519324_640-228x160.jpg)
A Kartemquin Films crew attends the opening of the Spertus Museum of Judaica’s exhibition, “Bridges and Boundaries: Chicago Crossings” on May 19th, 1994.
![[Chicago Crossings: Bridges and Boundaries, reel 38B; Fan Warren & Sidran Music]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652421330_640-228x160.jpg)
Artist Fan Warren is seen in studio with her piece for the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings.”
![[Chicago Crossings: Bridges and Boundaries, reel 38A; Fan Warren & Sidran Music]](https://development-q5nzhaa-ou7jifsrmm4uk.us.platform.sh/wp-content/uploads/2018/02/652523050_640-228x160.jpg)
Prior to the Spertus Museum of Judaica’s 1994 exhibition, “Bridges and Boundaries: Chicago Crossings,” participating artist Fan Warren talks about her artistic influences, Black and Jewish relations, and her qualms with the Spertus show.