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  • Kalyian

    Kalyian

    “Kalyian was inspired by the blind princess from the island of Samar, a freedom fighter and founder of the Philippine martial art Kali. Blind since birth, this legendary princess possessed an extraordinary sixth sense and sensitivity towards energy and life forces that she could not be defeated by even the fiercest of warriors. Kalyian is a modern-day personification of the female warrior spirit. It depicts the timeless battle of women, whose inherent warrior qualities are first fought, then realized, and eventually developed into harmony with the total self. It is the same force that gives women of this nature, the strength to survive and succeed. Kalyian combines technology with techniques drawn from Kabuki Theater, dance and Kali to depict both a primordial and futuristic sensibility.

    In the tape, Kalyian encounters a figure clothed in black, face concealed. Narrow beams of light cut across a darkened space. Like two cats, they move about, appearing and disappearing into the shadows. At one point, the figure in black eludes her by leading her into a maze. As soon as Kalyian enters the maze, the space becomes alive; a montage of images bombards her. She responds instantly and attacks. Eventually, she becomes aware she is fighting her own fears, anger and aggression. The more conscious she becomes of this, the less fighting and destruction occurs. From this realization, Kalyian transforms her weapon into a flute to communicate through music to the figure in black. The figure responds to the music through dance. Image after image of the figure in black join in, moving together in harmony, they become one. Then, the figure reveals to Kalyian, her past actions and moments of self-realization. More and more, Kalyian recognizes parts of herself before her, until once again she is face to face with the figure in black. At this point, Kalyian realizes her subconscious has been her guide, leading her into self-realization and eventual transformation into a higher form of awareness. Kalyian has resolved her internal conflicts and is in harmony with herself.”–Barbara Sykes

  • Warp discussion, Part II

    Warp discussion, Part II

    This tape features footage of a conversation between writer Stuart Gordon, actor Cecil O’Neal, and writer Lenny Kleinfeld (who co-wrote the play under the pseudonym Bury St. Edmund), talking about the Broadway production of the Organic Theater’s “Warp.”

  • [Artaud: director interview and Plague rehearsal]

    [Artaud: director interview and Plague rehearsal]

    This tape documents the preparation for the joint Videopolis / Victory Gardens Theater production of “Artaud.” Director Jim Rinnert talks about his interest in Artaud and the unusual production elements. This is followed by rehearsal footage from the play where lead actor J. Pat Miller practices a scene called “Plague.”

  • [Artaud: NINN auditions]

    [Artaud: NINN auditions]

    This tape documents the auditions for the joint Videopolis / Victory Gardens Theater production of “Artaud.” Lead actor J. Pat Miller runs through a scene with several women auditioning, including Anda Korsts, who steps out from behind the camera to run through the scene with Miller.

  • [Artaud: final plague, school shots]

    [Artaud: final plague, school shots]

    This tape documents the rehearsal for the joint Videopolis / Victory Gardens Theater production of “Artaud.” Lead actor J. Pat Miller runs through numerous scenes that will be included in the final performance.

  • [Artaud rehearsal: Ireland]

    [Artaud rehearsal: Ireland]

    This tape documents the rehearsal for the joint Videopolis / Victory Gardens Theater production of “Artaud.” Lead actor J. Pat Miller goes through numerous scenes that will be included in the final performance. There is also footage of a orchestral concert towards the end of the tape.

  • [Artaud rehearsal: Ireland, letters, lips intro]

    [Artaud rehearsal: Ireland, letters, lips intro]

    This tape documents the preparation for the joint Videopolis / Victory Gardens Theater production of “Artaud.” Production members and actors create footage that will be played on video monitors during the play.

  • [Artaud set construction]

    [Artaud set construction]

    This tape documents the set construction for the joint Videopolis / Victory Gardens Theater production of “Artaud.” Director Jim Rinnert and his team work on the set, and then go out for drinks and a meal to discuss logistics.

 
 
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